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| Kaplan's latest comes at just the right time |
When my wife accepted a position to teach in Bucharest, Romania, I went online to look for books on Romania, and at the top of the list I found Robert D. Kaplan's
In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond (2016). I hadn't known about it, but I certainly knew of Kaplan. I'd read his
The Coming Anarchy (2000) and
Warrior Politics (2001) and thought very highly of them both. I'd also read parts of
The Ends of the Earth (2001) and
Monsoon (2010). What a wonderful discovery! I dove in, and part way through I recommended it to my wife as we were running errands on our e-bike around Suzhou.
"Do you know this guy?", she asked.
"Yes, I've read his stuff. He's good. He's also written books about the Indian Ocean and India, and about China, Vietnam, and the South China Sea."
"Is he following us?"
"I don't know!"
In checking the publication dates of
Monsoon (2010)) and
Asia's Cauldron (March 2014), I determined that we were following him. Anyone acquainted with Kaplan won't be surprised at this. He must need a new 50-page passport every couple of years just based on the published accounts of his travels. (I wonder where he vacations?) No, we're just very lucky, especially with this book.
We're especially fortunate to have this book because Kaplan hasn't just passed through Romania or considered as just another piece on the geopolitical chessboard. He's been traveling to Romania since the 1970's, and he's seen it transformed from a gray, Stalinist backwater, racked by poverty and fear, into a what is now a vibrant society that holds membership in the EU and NATO. Romania seems to have found a good place for itself. As Kaplan describes it: "History surely had not ended here, but it had for the moment become more benign." Kindle Locations 3916-3917. Kaplan displays a genuine affection for this nation, and this spurs his interest in its history and its present, as well as prompting him multiple visits to contemplate its unique place in the busy world of Eastern Europe.
Kaplan first traveled to eastern Europe as a student in the early 1970s, and then he came a bit later to Romania as a young reporter. Trips back included a stint just after the Christmas Revolution in 1989 that toppled the hated Ceausescu regime and led to the summary trial and execution of Nicolae Ceausescu and his wife, Elena. His most recent trip back was in 2014, when he observed the changes that have occurred in Romania after it has mostly-completed the transition to democracy and a market economy. This long history of personal involvement allows Kaplan to include not only his trademark travel writing, history, and geopolitical analysis, but it also serves as a bit of a memoir. For instance, his observations and assessment of the brutality and waste of the Ceaucescu regime prompted him to support the Iraq War, a judgment that he reports that he has come to regret. (A pointed reminder of the limits of historical analogy for decision-making.) As he notes, he didn't foresee the subsequent Sunni-Shia civil war that would break out after Saddam's demise.
Romania is a fascinating country, and Kaplan's draws on the distant past, the recent past, and the present to create his portrait of this country. Romania is a Westen outpost in eastern Europe. Romanian is a Romance language, closely related to Italian and Spanish (and, I'm thrilled to report, not very difficult to learn). Romania identifies with the West, yet the thread of culture passes via the Romanian Orthodox Church, anchored in the tradition of Byzantium and the cultural heritage of Orthodoxy. Also, the Ottoman, Russian, and Hapsburg empires have exerted influences on this land through which the Danube flows to reach the Black Sea. Kaplan explains that the intellectual class, including prominent figures that reached maturity in the 1930s, such as Mircea Eliade and E.M. Cioran, were attracted to the political Right, not the Left, unlike most western European intellectuals. Romania suffered the influence of the Iron Guard, a fascist movement that helped prompt Romania to ally with Hitler in the early period of war. Its authoritarian (but not truly fascist) leader, General Antonescu, both protected some Jews (Romanians) and helped ship others to the death camps. Romania committed over a half-million troops to Hitler's war against the Soviet Union. But before the end of the war, Antonescu led Romania to switch sides and aid the Soviets against the Nazi regime. All of this intrigue didn't do Antonescu much good. He was executed immediately after the war.
Through Kaplan's efforts in ancient, medieval, and modern history, we obtain a sense of the complexities of this culture and its political fortunes. His tour of the country, as well as neighboring Moldova (also Romanian speaking) and a foray into Hungary (now under a regime administering a "diet of low-calorie Putinism") gives us a further historical perspective. But also, in the tradition of great travel writing, Kaplan provides an intense sense of the present. (Among the several travel writers he mentions, Patrick Leigh Fermor gets a special mention, "that craftsman of irreducible godlike essences whose every sentence belongs in a time capsule". Kindle Locations 732-734). I've now begun Fermor's
Between the Woods and the Water--just the prompt that I needed to uncork this champaign of travel writing.) From churches and monasteries to castles and homes, we get an engrossing sense of these places and the people who inhabit them. When my wife and I travel in Romania, we'll consult my Kaplan as much as our Lonely Planet.
In all, the publication date of this work (February 9, 2016) could not have been better timed or more welcome. Kaplan's complex layering of history, personal observation, and geopolitical analysis creates the perfect primer for anyone wanting to explore this fascinating nation and its environs. Or it's a treat for anyone who simply wants to enjoy the work of a master of observation and analysis. As Kaplan writes of Fermor, so I would of Kaplan: "to call him a mere travel writer is to diminish him." Id.
