Showing posts with label Stephen H. Greenleaf. Show all posts
Showing posts with label Stephen H. Greenleaf. Show all posts

Monday, October 8, 2012

Soft-Boiled Detective: Robert Parker's The Professional

Sometimes there is nothing better than a serendipitous trip to the bookstore. With some additional reading time here in India, and with Iowa Guru away for a couple of days, I went back to the local chain bookstore to check it out in a leisurely fashion. I came across a couple of detective novels that caught my eye, one author whom I'd enjoyed before and one new one. This genre usually provides entertaining and quick reads with enough literary talent to keep you engaged if you pick carefully. On this occasion  I picked up one by Robert B. Park, the author I'd heard of but had never read before. I tried Parker's The Professional (a Spenser mystery). After reading only a couple of pages, I was hooked. 

The setup is a common one in classic American detective fiction. The opening scene as an ex-cop turned private eye, Spenser, sitting in his office waiting for someone to come in and lay a case on his desk. It happens right away, and the action moves quickly from there. Parker's  prose is concise, with most of the pages consisting of dialogue. The dialogue is snappy and literate in the best tradition of American detective fiction, similar to that found in one my favorites, the John Marshall Tanner series by Stephen H. Greenleaf.

But what really sets this Spenser book apart is that for all of his ability with his fists, his quick wit, and his knowledge of the underworld, Spenser is an awfully nice guy. More specifically, in contrast to his promiscuous and jaded clients in The Professional, Spenser is a man  who enjoys his mate  (although they're not so conventional as to have tied the knot). In fact, the dialogue and interaction between Spenser and his consort Susan, who is a Ph.D. psychologist, provides some of the most enjoyable  and distinctive scenes in the book. Spenser is a guy with dealing with all kinds of problems in a seedy world, but he's really a romantic softy around his honey (although the dialogue never turns from snappy to sappy).


So would I read another Spenser? Sure. You can imagine this guy you like to be around to enjoy the pleasure of his company as well as his adventures with the darker side.


P.S. Based on this character, A television series, Spenser: For Hire, ran in the mid-80's. I never saw it, so I don't know how well it translated onto the big screen.

Saturday, January 17, 2009

How Fiction Works & Story

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I finished James Woods’s How Fiction Works (2008, 248p) today. Woods talks about the conventions and practices of fiction in the tradition of E.M. Forster. The elements of fiction are enthralling, as they convey life. After having recently finished Robert McKee’s Story: Substance, Structure, Style, and the Principles of Screenwriting (1997, 419p), the two books come up for easy comparison. Woods discusses the conventions of various authors, most well kn0wn, and how details, realism, character, language, metaphor, and other literary devices mix in the history of fiction from as far back as the Bible. I enjoyed the work as a reminder of the aesthetic enjoyment of reading fiction arising from supreme craftsmanship. Very good indeed, although not as enjoyable as Story, which is an amalgam of high culture (lots of Aristotle referenced) with plentiful dishes of “how to” added. For trial lawyers (or those who have followed the example of the likes of Grisham or Stephen H. Greenleaf and moved to full-time writing), the books have a practical import on how to convey our clients’ stories, which is the stuff of trials.