Early Collingwood on religion & philosophy |
Rather than attempt an exposition of Collingwood’s thoughts manifest in this collection, I’ll simply proffer some observations. Having completed this collection, I’m now diving into Religion and Philosophy, which is the only work of philosophy by Collingwood that I haven’t yet read. My excuse for my tardiness is that it was an early work that commentators have generally slighted. However, my first observation is that it presages many of the themes that Collingwood will go on to explore in greater depth throughout his career. The several portions of Religion & Philosophy included in this collection reveal Collingwood’s concern with “forms of consciousness;” the mind as its activity; the importance of thought; distinctions between disciplines (art, religion, natural science, and history); and the relation of those disciplines to philosophy. We are also introduced to Collingwood addressing idealism and “the Absolute” more directly than what I recall in his later works. (“Realism,” on the other hand, while mentioned in these snippets from Religion and Philosophy and Speculum Mentis, gets a more consistent (critical) treatment throughout his career.)
Now for some more random observations and questions.
- Collingwood reveals a significant depth of knowledge and appreciation of Christian theology in his writings. How much of this did he receive at Oxford in classes and seminars, and how much of it came from his reading on his own?
- In reading Collingwood, one obtains the sense that these matters are not strictly a matter of professional interest and curiosity. And from probably the best single introduction to Collingwood now available, Fred Inglis’s History Man, we know that young Collingwood made a deliberate entry (Baptism and Confirmation) into the Anglican fold while a student at Rugby. I suspect this religiosity drives his formidable intellect in addressing the issues of God, existence, Atonement, the Absolute, and other theological and philosophical terms he considers in these selections.
- Collingwood addresses philosophical idealism more directly here than in any work I’d read previously. In the late 1930s, Collingwood bristled at being labeled an idealist by Gilbert Ryle. (The accusation really riled up Collingwood.)
- Collingwood refers to “the Absolute” on various occasions in this collection of works. It seems to me that the Italians, Croce, Gentile, and De Ruggiero, display their greatest influence on Collingwood during this early period. So far as I can discern, talk of “the Absolute” as a working term fades from Collingwood’s vocabulary after the early 1920s.
- Collingwood’s reluctance to be caught up in dichotomies is revealed early in his career. Although it's not until Speculum Mentis that I think that he overtly references a dialectical method for this thinking, I find the seedlings of this attitude are on display here. Yet, while he avoids easy dichotomies, he also reveals his penchant for sharp distinctions. For instance, distinctions between thought and feeling; will and thought; art, religion, science, and history; and so on. Collingwood wields his logical scalpel to reveal distinctions, without intending to sunder relationships that constitute the reality he’s investigating. Collingwood uses anatomy to enhance our understanding of the more important physiology.
I will stop here, as I’ve already begun my plunge into Religion and Philosophy for a complete, careful reading. I intend to provide a more careful consideration of Collingwood’s ideas set forth in that book (and then, I think, back for a second reading and consideration of Speculum Mentis). Before closing, I should say that Rubinoff has done an important service by providing this introduction to Collingwood’s early work at the intersection of religion and philosophy. This collection and commentary enhances our appreciation of Collingwood’s life-long project, and it provides deep insights into philosophy, religion, and Christianity.
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