A reader's journal sharing the insights of various authors and my take on a variety of topics, most often philosophy, religion & spirituality, politics, history, economics, and works of literature. Come to think of it, diet and health, too!
This production of Shakespeare's Coriolanus is the first production that I've seen, nor had I read it before. (By the way, this link is useful; also, it comforted me that the great Shakespearean scholar A.C. Bradley and other agree with my sense of this play.) Directed and starring Ralph Fiennes in the title role, itsan intense but not especially revealing drama. Similar to the Richard III filmed starring Ian McKellen from several years ago, it "updates" Shakespeare by using a contemporary setting. Indeed, as both films revolve around characters who make their mark in battle (and by general violence, with Richard), they are quite similar in this regard. Both reference fascist and militarist props--costumes, set design, and lots of guns & tanks--to set the scene. All of this works reasonably well, which is reassuring, because some contemporary settings for Shakespeare fizzle for me. One does, however, have to set aside the fact that until the advent of guns, most fighting in both military and day-to-day situations was done hand-to-hand. (Okay, okay, I haven't forgotten Agincourt, but you get my point.) Guns take away this immediacy, but this production worked around this issue fairly well.
Fiennes is a dynamic, raging, and proud Coriolanus, one that seems to fit the bill. Vanessa Redgrave as his mother, hautily proud, domineering, and ambitious for her son, provides a very compelling figure. Throw in Gerard Butler as Auffidius, the nemisis of Coriolanus, Brian Cox as Coriolanus' would-be mentor, and a pair of tribunes who play the roles of political hacks wonderfully, and you have a very sound production.
In the end, Coriolanus isn't as compelling as Shakespeare's great tragedies, even of those about grasping for power, like Macbeth, but it does give us a strong image of the world of militarism, caesarism, mobacracy that we can still find in our world today. For this, it is worth seeing.
Alexander McCall Smith has a way with women that I can’t help
but admire. Not a tom-cat way, not the way of a lothario; rather, he has a way
of creating women in fiction that makes us like them right off. We—or I at
least—find myself empathizing with his heroines, with the small and large
battles they must fight in life, winning some and losing others, at times
triumphant and other times feeling rather failures. Within the confines of this
276 page novel, we get to further know and appreciate Isabelle Dalhousie, the
Scottish woman who edits The Journal of
Applied Ethics.
After creating the delightful Precious Romotswe and her
world, you would have thought Smith could have said “good enough”. (If haven’t
read any of The No. 1 Ladies Detective Agency books or you haven’t seen the delightfully faithful HBO television
production of some of the books, you have cheated yourself.) Instead, Smith has
created the delightful Isabel Dalhousie, a single woman in her early forties
who lives in Edinburgh, is independently wealthy, and who loves fine music and
friends. She is not a detective, but she does get involved in things. In this
book, she has a chance encounter with the recent recipient of a transplanted
heart that leads her to new places and new thoughts.
Assuming you read Iowa Guru in the Pink City, you know that I purchaed purchased Friends, Lovers, Chocolate on Saturday (examine the photo closely) and finished by
Monday night. The writing is fine, but not difficult. McCall Smith’s style is
workman-like, but his narrative touches lightly here and there, leaving little
morsels of thoughtfulness revealed by Isabel’s actions and reflections. And
while Isabel is a philosopher, one needn’t have any background to follow her
thoughts or musings, just an appreciation of her inquisitive mind, much like Isabel’s
housekeeper Grace keeps toward Isabel and her world.
Like chocolate, one is tempted to gorge on this fare, but a
rational mind, and further reflection (worthy of Isabel), prompt me to wait
before acquiring the next book in the series, all in order to savor the delight
that I expect to find in each one. Like a fine chocolate.
Dear President Obama, Senators Grassley and Harkin, and Representatives
Loebsak and Braley:
Now that the election has been decided and each of you will
be serving our nation during the course of the next two years, I want to share
my thoughts on issues that I hope you address. I know these are difficult
issues, and not ones that politicians seem to want to avoid. Nevertheless, I
think these are the issues that are in desperate need of appropriate action:
1. Economic Growth
& Not Austerity as Our National Goal. We need to assure the long-term
fiscal health of our nation, but we need to make sure that we do not torpedo
badly needed economic growth and the restoration of good jobs in our nation.
Going over the fiscal cliff would be among the stupidest decisions that our
nation could make at this time. The main legitimate concern with the deficit comes
from rising healthcare costs, and to the extent that controlling health care
costs demand further attention, that issues should be addressed. We also need
tax laws that benefit more than just the wealthiest Americans. Wealthier
Americans need to accept a tax increase as a part of long-term fiscal
stability. We always need to consider the efficiency of government and the
appropriateness of programs, but slashing government programs at this time the
kind of austerity that we’ve seen failing Britain and Europe and that would likely
prove disastrous here.
2. Campaign Finance
Reform. We need to reform our campaign finance system. Each party and each
candidate and each PAC spends immense amounts of money on campaigns that
usually sully the public discourse and that do not benefit voters. Much more
importantly, each of all of us know that money talks, and that your honorable
intentions notwithstanding, those who pay the piper call the tune. In the
immediate aftermath of Watergate and the corruption of the political process
that we experienced during that era, we had campaign-finance reform that did a
reasonable job of leveling the playing field. That reform has now been hacked
away and no longer provides us with meaningful protection. No billionaire,
liberal or conservative, should be in a position to buy an election. An
immediate change in our campaign finance system is imperative if we maintain the
integrity of our political institutions. I don’t have an easy answer on how to
do this, but this is an issue where Republicans and Democrats should find
common ground if each side acts in the interest of American political
institutions and not with an eye towards short-term advantage for their
respective party.
3. Reasonable Firearms
Regulation. The availability and abuse of firearms in the U.S. is disgraceful.
As a resident of Iowa City over more than 30 years, our prosperous and
generally law-abiding community as seen too much gun violence, and we are
normally a sedate and happy group of people. As I’m now abroad, I am shocked
and ashamed to read of continued gun violence in the U.S.: innocent victims are
mowed down by individuals who’ve have quick and easy access to firearms. I won’t
ask you to repeal the Second Amendment (although I would support repeal and
replace it with something much more understandable and reasonable—I’m not
talking about banning or confiscating firearms.) However, I understand that repealing the Second
Amendment is implausible. Instead, I do urge you to take every reasonable step
to regulate firearms, as we do automobiles, pharmaceuticals, and any other
number of items that could prove lethal. There are reasonable ways to do this,
and both parties should be able to find some common ground as they did in the
past to make some reasonable regulations that protect Americans from the random
violence.
4. Action on Global Climate
Change. Global climate change is no longer an issue that we can pretend
doesn’t exist. The presidential campaign attempted to ignore it, but then came
Sandy. I applaud President Obama for his acknowledgment of the issue in his victory
speech. We must get past the head-in-the-sand approach that we’ve been taking
and begin to think about how we can best address this common threat to
humanity. It’s time for the U.S. to become a global leader again; not a
laggard.
5. Avoid Wars. We
must avoid military adventures as much as possible, acting only when no other
option exists and when we are compelled to act by a very clear definition of
our national interest (and not any other nation’s). This does not deny the
importance of our allies; rather, if we act foolishly and continue to diminish our
national resources on wasted wars we do no one any favors except those who
would benefit by a diminishment of our capabilities.
Gentlemen, thank you for your continued service. I wish you
the strength and courage that addressing these issues require. Thank you for
your consideration.
Sincerely yours,
Stephen N. Greenleaf
Permanent address: 345 Magowan Ave., Iowa City, IA 52246
Temporary address: 4 Bhawani Singh Lane, Jaipur, Rajasthan,
India 300005
Iowa Guru and I recently bought a box set of Charlie Chaplin films. We've watched two of them, and one learns that Chaplin was not simply a sad-sack, slapstick performer from the silent era, but an incredibly graceful and talented actor.
Modern Times is considered by many to be Chaplin's's greatest film. Made in 1936, it is in large measure a silent film, including large portions that use separate shots to display dialog, altougth later in the film some voice is used (as well as music). This film includes the famous scenes where Chaplin travels through a large series of gears. He winds through them like a reel of film through projector. This scene and other scenes that display work on an assembly line use his amazing slapstick sensibility. Yet, in another portion of the film, Chaplin dances, and he does so with the grace and litheness that is quite amazing.
Chaplin wrote and directed Modern Times, and in it you can appreciate his sense of concern about modern life and especially the life of those less fortunate. The film centers on the destitution of those thrown out of work by the Depression and the often ugly demands placed on those who could work. The film also shows "the little man" ensnared by the police and the legal system. Chaplin was eventually forced to leave Hollywood and the U.S. because of his alleged association with "Communists", but I think the fair assessment of hims would be of a person who was concerned for the type of characters that he made famous. (If you haven't seen The Great Dictator, then you don't not have a complete appreciation of Chaplin's sense of injustice and support of democracy the belies any other charges that might be brought against him.)
The other film we viewed was A King in New York, the last feature film the Chaplin made. It was filmed in Great Britain and released in Great Britain in 1957, but was not released in the US until 1967. In this film, Chaplin plays a king exiled to New York City. It again combines Chaplain's fascination with physical humor along with cutting social satire. Chaplin ridicules the red hunting and red baiting that was plaguing the US in the 1950s. As a victim of such witch hunting, Chaplin had a full appreciation of what it entailed. Chaplin doesn't beat his audience over the head with anger or sarcasm, but instead he uses a gentle humorous ridicule and truly sympathetic characters who do their best when caught up in appalling circumstances. This latter Chaplin, which IG and I have seen in some other later films, is quite an appealing figure. For someone who began in the silent era, Chaplin always displays the utmost and consummate skills would truly fine actor.
Pico
Iyer’s book is difficult to review because it’s difficult to classify. It’s
part memoir, part literary biography and criticism, and part travel book. Indeed, there seems
to be two men inside Iyer’s head, the novelist Graham Greene and Iyer’s father.
The book traces its course through various episodes of Iyer’s diverse life.
Iyer is the son of Indians who emigrated to the U.K. and then, in the 1960s, to
southern California. Iyer returned to England for schooling while his parents
remained in California, thus requiring Iyer to ferry back and forth across the
continents to experience both school and family. This type of background, along
with the fact that his father was an academic and one well-versed and
enthusiastic about the classics, made for an interesting background for young
Pico (named, by the way, after the great Italian humanist, Pico della
Mirandola).
But during all of this, and well into the present, the
singular figure of Graham Greene, the novelist and the man, became the “man
within my head”. Perhaps their shared travels and uncertainties lead to this
attraction, although as someone who’s been quite rooted his whole life, I, too,
find Greene’s work quite fascinating. Greene, if you’re not acquainted with
him, is the British novelist who often sets his novels in far-off locales, such
as Haiti, Mexico, Sierra Leone, and the like, and then populates the novel with
complex, often quite psychologically tortured characters. Greene was not afraid
to delve into issues of God, belief, and guilt, as well as all manner of sin
and betrayal. And Greene himself proves quite a convoluted and complex
character, at once cold and kind, approachable and lonely.
I recommend this book to anyone who’s read Greene’s work or
whose seen the movies that do some justice to his work, like The Third Man (a
great film starring Orson Welles and Joseph Cotton—and did you know that in the
short story, Harry Lime was a Catholic?), The Fallen Idol
(another Carol Reed film), and The Comedians
(Liz and Dick at their best along with a fine cast). For established Greene
fans, this would prove a worthwhile read. As Iyer has written a lot of other
work that I’ve not read, I can’t say how this fits, but it’s interesting,
instructive, and like all of the characters in the book, very elusive.
I have been digesting the election results and giving further thought to what happened. Below are some random ideas that occur to me:
The Republicans have always been the party of the wealthy. This also used to mean that they were the party of the better educated. However, that has certainly changed. While Republicans captured a majority of into the votes of individuals making more than $100,000 a year, they didn’t do well among the better educated and many of the affluent. In addition to capturing the wealthy, Republicans tended to attract those who live in primarily rural areas, such as western Iowa. What these individuals who live in these communities, as small business owners and as laborers, have in common with billionaires like Sheldon Adelson? I do not know. This is the “what’s the matter with Kansas?” problem that Thomas Frank has written about. Of course, this reflects the strange marriage of the very wealthy with the socially conservative.
Looking at post-election demographics is also interesting. Obama carried the Catholic vote by a couple of points, which I found interesting. He garnered a majority of the least educated and the most educated, but lost those in between. Does that demonstrate that a little education is a dangerous thing? It’s an interesting split. As I mentioned above, most of the wealthiest voted Republican. This is, of course, traditional. But I wonder, do the rich think that they can enjoy their wealth in a society that is, on the whole, less wealthy and more unequal? Of course, this is how civilizations have worked from their beginning until very recently; that is until economic and political modernity changed the world so drastically. I compare the belief that the wealthy can enjoy their wealth in a sea of poverty with what I experience here in India. I really wonder how the rich can think of themselves as well off when streets, sewers, utilities arepoorly maintained (if at all); pollution is rampant (air & water); and all manner of private goods are not as easily available as they should be. The impoverishment of the public sector deeply attenuates the benefits of wealth. But, some think that if they have enough private wealth they can buy themselves happiness.
Politicians have always been known for lack of candor and for maintaining an escape hatch on most issues. In earlier days, candidates could say one thing in Shenandoah and another in Iowa City. But since the advent of national news coverage, this becomes more difficult. With this campaign, we saw a whole new level of mendacity from that Romney. I’ve never seen a candidate criticized so much for reversing his positions or trying to alter the facts (i.e., lie) as Romney has received. (This piece by Kevin Kruse is representative.)But not only between his time as governor of Massachusetts to his time as Republican presidential candidate, but even from the time of the primaries earlier in the year to the time of his campaign this fall. And yet, far too few seemed to mind. (Garry Wills, of course, is an insightful exception.) Now, I am willing to give candidates some slack, and I’ve always been a believer in Emerson’s admonition that “a foolish consistency is the hobgoblin of small minds.” However, Mitt Romney has taken this beyond any rational prudence. Everyone should have developed grave concerns about his character. This baffles me because while I disagreed very much with his limited worldview and his willingness to pander to the Republican right wing, I didn’t consider Romney, a candidate of deficient character. In his private life, he seems like a fairly forthright and honest fellow. This either means that he was willing to do almost anything to get elected friend (and he did almost get elected) or that he thought that he could somehow square the circle. Neither of these options is attractive, and all the more reason his defeat relieves me of having to wrestle with such vexing thoughts.
Since I left the Republican party about three decades ago, I’ve never been as enthusiastic a Democrat as some. Party ties can bind us in a way that can seriously distort our judgment. I’m thinking particularly of persons like David Frum and David Brooks, conservatives for whom I have a modicum of respect and to whom I give credit as thoughtful observers of contemporary politics. However, I believe both of them tried to justify a vote for Romney by suggesting that Romney would ignore his promises to the Republican right wing and forge a working coalition with Democrats. This assumes the Democrats would keep their goodwill, which, heaven help them, they probably are forced to do because they’re so damned reasonable. But this suggests that we should have elected a man who would turn tail again to please the crowd. First, this is a long shot that, because the political realities would’ve made Romney beholden to a Republican Congress that has much closer ties to the radical right that now controls the party. But second, as I suggested in the preceding paragraph, this defect in character could have made him a tough person to work with, let alone trust.
I highly recommend this article by Rick Perlstein about mendacity in the conservative movement. It’s a pretty shocking piece, but Pearlstein does his homework. I’m not sure what to make of it, but it is an explanation of Romney’s mendacity and the deception within the conservative movement. Krugman has also suggested that conservatives grasp for power in a way that distorts all judgment. Perhaps that’s true.
How much will we see a replay of the politics of the Great Depression! Oh, that Obama will now become an FDR! He needs to drive a hard bargain at this point, and I think a lot of us are holding our breath about this. Stay tuned for further developments!
Read the entire blog, but this quote from Andrew Sullivan hits the nail on the head. Republicans: please, can Rush Limbaugh, Sean Hannity, Ann Coulter, Bill O'Reilly & their mean-spirited & paranoid delusional comrades. Come home! You'll find Lincoln, TR, Ike & others waiting for your return. Turn to Burke, to Niebuhr, to something other than the paranoid style of American politics. Anyway, here's Sullivan:
These charlatans and money-grubbers have turned the broad tradition of
Anglo-American conservatism into Southern Fried Fanaticism - and I
wanted to see them crackle in their batter. They have replaced empirical
doubt with unerring faith in an ideology that had its moment over
thirty years ago and is barely relevant to the world we now live in.
That faith has been cynically fused with fundamentalist religion to make
it virtually impossible for the GOP to accept that women are the
majority of voters in this country, that gay couples are equal to
straight ones, that 11 million illegal immigrants simply cannot be
expected to "self-deport" en masse by a regime of terrifying policing,
that war is a last and not a first resort, that the debt we have is
primarily a function of two things: George W. Bush's presidency and the
economic collapse his term ended with.
The internet deserves another shout-out of praise for somehow guiding me to this wonderful book. I often treat the internet as I do the labyrinthine Seminary Coop Bookstore: I can wonder here & there & discover the most delightful titles and ideas. I think that this tip came from Farnum Street, which obtained the tip from an article written by Joseph Epstein. But no matter, along with my trusty Kindle (a useful supplement to the paper book) I have now completed this delightful & instructive book.
Reading this book was like sitting in class with the most urbane and humane don that I could imagine. He combines a literature class (from the Greeks to the British & French masters) with a writing class. And while this is not work shop, no exercises, no bullet points, you realize that he writes the writing that he teaches. Clarity, brevity, and courtesy toward the reader are his guiding principles, and he practices these virtues, displays them really, while guiding us along a path littered with great writers from past ages.
This is not an easy, how-to book. Quotations in French require a trip to the endnotes for translation, and a great number of the examples quoted are new to me, even if the names of the authors are familiar. However, the effort proved worthwhile, and I completed the book feeling a great sense of satisfaction at having been entertained and delighted while I received great instruction. The perfect professor.
This year marks the 50th
anniversary of James Bond on film. To mark this momentous occasion, we have the
latest release in the franchise Sky Fall, starring Daniel Craig. This is the
third production in which Daniel Craig has played the title role of James Bond.
Although I’ve not followed the franchise on a regular basis over its 50 years,
I think I’ve seen productions involving most all of the previous Bonds,
especially Sean Connery, Roger Moore, and Pierce Brosnan, and to my mind, the
Daniel Craig productions are the best of them. Instead of the suave and ironic
character that Brosnan provides, Craig appears to be a street tough and savvy
operative. In the Craig productions, Bond’s given more character, more depth,
and more flaws. He isn’t exactly Alex Lemus, but it does a better job than
prior productions. On the other hand, all of the Bond formulas are included in
Sky Fall, from chases, to gadgets, to martinis (shaken, not stirred).
In addition to Daniel Craig’s
gritty performance as an aging, steely eyed Bond, he is joined again by Judi
Dench playing the role of ‘M’. Dench is one of those British actresses whose
been acting for what seems to be an eternity, and her on-screen persona always
seems to work whatever the occasion. In addition to these two regular cast
members, Ralph Fiennes, perhaps the current reigning heavyweight among British actors,
joins the cast. Javier Bardem gets the role of the villain and provides an
effectively creepy performance. Thus, you know that the acting will be strong.
Oh yes, less to disappoint anyone, we also have a couple of beautiful new young
Bond babes.
For all of this, however, the
film didn’t work very well for me. The formula can get tired. I came out of
this film feeling much the same way I felt about the third of Matt Damon’s
Bourne movies: the energy and intrigue it been lost and to try to make up for
it, the directors and producers had simply attempted to add more chases, more
action, and more speed. I understand that the Bond and Bourne franchises aren’t
intended to match Le Carre for character, depth, intrigue, and nuance; however,
at a certain point even with an old classic, you miss those additional
features.
In fact, when I get down to it,
I found myself a little annoyed after seeing the movie. Some things occurred to
me were just a little too great a leap of fantasy to accept. I kept asking
myself, doesn’t James Bond have a cell phone? Aren’t the British Marines every
bit as tough savvy, and capable as US Navy SEALs? And when Javier Bardem,
playing a really slimy and oleaginous villain, is racing after James Bond, does
he rent his attack helicopter online or over the phone? Does that come with
mounted machine gun and cartridge belt standard, or those features additional?
Finally, does Bardem rent his thugs locally, or does he arrange transport to remote
locales on the British Isles? I suppose I am perhaps sometimes a bit too
practical thinking in my assessments of these types of niggling issues, but
they do begin to gnaw on me when I find that the action has become a bit too
repetitive. It was fun seeing Bond, even
here in remote India, and we had the chance to see and speak with some other
Americans prior to the film (and I assume some of the other folks we saw were
Brits), so is a worthwhile outing, but in the end, I didn’t come away satisfied.