A reader's journal sharing the insights of various authors and my take on a variety of topics, most often philosophy, religion & spirituality, politics, history, economics, and works of literature. Come to think of it, diet and health, too!
Thursday, April 11, 2013
Scoring Points: A Review of Point Made: How to Write Like the Nation's Top Advocates by Russ Guberman
The Manchurian Soldier-Spy: A Review of Homeland, Season 1
N.B. Spoilers follow
Iowa Guru and I have now completed Season 1 of Homeland, a gift brought to us from the homeland (would it sell in India?) by the Panda (Inscrutable or Hungry, depending on circumstances). I can sum up my response by suggesting that I feel about Homeland the way that the viewers of Frankenstein's monster must have felt upon seeing it for the first time: an ugly, patchwork, but kind of fascinating.
Literary critic Harold Bloom has written about the "Anxiety of Influence", how poets and other writers worry about the influence and implicit lack of creativity thereby imputed to them by the work of their predecessors. We now have a test, and this theory appears not to affect the writers of Homeland (based, according to the credits, on an Israeli book). They seem to want to borrow from two sources, at times rather openly. One source is the great film, The Manchurian Candidate (please! I'm referring to the Frank Sinatra, Angela Landsbury, Lawrence Harvey classic; not the Meryl Steep--Denzel Washington mistake). The other source is John le Carre's Smiley books and the brilliant BBC productions of them. (Again, please, don't go for the Gary Oldman--Colin Firth film, which was close, but no cigar. The New Yorker's David Denby explains quite well the brilliance of the BBC production and the implicit limits of the film.) Great precedents both--but you have to choose!
In fact, I doubt either precedent really works in the current climate. Jihadism and World Communism both have strong religious elements to them. But the Cold War is quite different from Jihadism, whether fought through the science fiction of total brainwashing (coming as it did out of the Korean War) or through the true-to-life betrayals by British elites buying into the Communist utopia. OBL's efforts to reestablish the caliphate had no mass appeal. Who, among any developed country (Muslim or non-Muslim), has a desire to see Jihadism succeed? Exceedingly few, I wager. While a large segment of the well-educated and the intelligensia supported Communism (openly or covertly--including some in high-ranking and prestigious government and academic institutions), Jihadism holds no such allure. So we have a problem with the basic premise: Brody's motivation.
Over the course of time, Brody is defined as a convert to Islam (it's happened millions of times before, but to U.S. Marines captured and tortured by Jihadists?), and he's defined as an avenger for the killing of the boy Issa. Alas, I don't doubt that drone strikes and the killing of innocents are generating huge resentments against the U.S. and are a recruiting tool for Jihadists, but to a Marine serving in combat, does this seem so awful when his life and that of his buddies are at stake? Against this premise, we must consider Brody's love of country, family, friends, and self: all seem overridden, but not by someone brainwashed or turned into some kind of automoton. Of course, Brody suffers from PTSD, but then the writers, while demonstrating this, choose to ignore it. (Would we really ignore and fail to treat the extreme injury that Brody or any POW in this war must suffer? If so, shame on our government for its callousness and stupidity, but I hope that this is a scriptwriter's ignoring reality.) This guy, despite the torture, despite the yawning chasm of loyalties and motives, chooses to stick with his Jihadist goal of revenge killing. So Brody's a robot who acts crazy yet remains ready to fulfill his mission to the death--until he heeds the call from his daughter. (Under these circumstances, it's so easy to forgive the just-in-time call in the plot.) One of the two main characters doesn't work. How about Carrie?
I hope that she has no real life model. Claire Danes does crazy really well, but I pray that we have no loose canons in the CIA or State like her. (Well, perhaps we do. See this NYT Mag article, but I hope no certifiables.) Her character is wrong in some many ways (I know, I know, except the big one, off and on), but she gets hard to take. No wonder Saul turns her in.
And the vice-president. What a dick! How realistic is he? Such a dick . . . dick . . . Dick . . . Dick Chene . . . . Okay, his character works.
Mandy Patinkin as Saul is very good. Indeed, the acting is excellent pretty much throughout the cast.
Okay, will I watch Season 2? Would I look away from Frankenstein's monster? And also, we have reason to believe that there really is a mole in the C.I.A. Somebody is spilling beans that isn't Brody and never was Walker. The scriptwriters have withheld information, and I expect that I'll have to tune in to see where it goes, this monster.
Literary critic Harold Bloom has written about the "Anxiety of Influence", how poets and other writers worry about the influence and implicit lack of creativity thereby imputed to them by the work of their predecessors. We now have a test, and this theory appears not to affect the writers of Homeland (based, according to the credits, on an Israeli book). They seem to want to borrow from two sources, at times rather openly. One source is the great film, The Manchurian Candidate (please! I'm referring to the Frank Sinatra, Angela Landsbury, Lawrence Harvey classic; not the Meryl Steep--Denzel Washington mistake). The other source is John le Carre's Smiley books and the brilliant BBC productions of them. (Again, please, don't go for the Gary Oldman--Colin Firth film, which was close, but no cigar. The New Yorker's David Denby explains quite well the brilliance of the BBC production and the implicit limits of the film.) Great precedents both--but you have to choose!
In fact, I doubt either precedent really works in the current climate. Jihadism and World Communism both have strong religious elements to them. But the Cold War is quite different from Jihadism, whether fought through the science fiction of total brainwashing (coming as it did out of the Korean War) or through the true-to-life betrayals by British elites buying into the Communist utopia. OBL's efforts to reestablish the caliphate had no mass appeal. Who, among any developed country (Muslim or non-Muslim), has a desire to see Jihadism succeed? Exceedingly few, I wager. While a large segment of the well-educated and the intelligensia supported Communism (openly or covertly--including some in high-ranking and prestigious government and academic institutions), Jihadism holds no such allure. So we have a problem with the basic premise: Brody's motivation.
Over the course of time, Brody is defined as a convert to Islam (it's happened millions of times before, but to U.S. Marines captured and tortured by Jihadists?), and he's defined as an avenger for the killing of the boy Issa. Alas, I don't doubt that drone strikes and the killing of innocents are generating huge resentments against the U.S. and are a recruiting tool for Jihadists, but to a Marine serving in combat, does this seem so awful when his life and that of his buddies are at stake? Against this premise, we must consider Brody's love of country, family, friends, and self: all seem overridden, but not by someone brainwashed or turned into some kind of automoton. Of course, Brody suffers from PTSD, but then the writers, while demonstrating this, choose to ignore it. (Would we really ignore and fail to treat the extreme injury that Brody or any POW in this war must suffer? If so, shame on our government for its callousness and stupidity, but I hope that this is a scriptwriter's ignoring reality.) This guy, despite the torture, despite the yawning chasm of loyalties and motives, chooses to stick with his Jihadist goal of revenge killing. So Brody's a robot who acts crazy yet remains ready to fulfill his mission to the death--until he heeds the call from his daughter. (Under these circumstances, it's so easy to forgive the just-in-time call in the plot.) One of the two main characters doesn't work. How about Carrie?
I hope that she has no real life model. Claire Danes does crazy really well, but I pray that we have no loose canons in the CIA or State like her. (Well, perhaps we do. See this NYT Mag article, but I hope no certifiables.) Her character is wrong in some many ways (I know, I know, except the big one, off and on), but she gets hard to take. No wonder Saul turns her in.
And the vice-president. What a dick! How realistic is he? Such a dick . . . dick . . . Dick . . . Dick Chene . . . . Okay, his character works.
Mandy Patinkin as Saul is very good. Indeed, the acting is excellent pretty much throughout the cast.
Okay, will I watch Season 2? Would I look away from Frankenstein's monster? And also, we have reason to believe that there really is a mole in the C.I.A. Somebody is spilling beans that isn't Brody and never was Walker. The scriptwriters have withheld information, and I expect that I'll have to tune in to see where it goes, this monster.
Tuesday, April 9, 2013
Chuck Grassley Explains His "No" Vote on Chuck Hagel
Apparently in no hurry (who would be at his age & position in life), Sen. Grassley explains (sorta) his opposition to former Nebraska Republican Senator Chuck Hagel as Secretary of Defense (confirmed anyway). Reasons he gives for opposing Hagel, as I read them, are reasons that I supported him: reluctance to go to war with Iran (we just shouldn't. Stop.) and his refusal to give a carte blanche to Israel (support for Israelis and the nation of Israel should not be confused with supporting Israeli government policies that conflict with U.S. interests and values--the same goes for the U.S. government policies for that matter). Well, enough from me. Now, here's Chuck!:
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Thank you for taking the time to contact me. As your Senator, it is important for me to hear from you.I appreciate your expressing your support for the nomination of Senator Chuck Hagel to the post of Secretary of Defense. Please know that I take the Senate’s responsibility of advice and consent regarding presidential nominations very seriously. President Obama nominated Senator Chuck Hagel for the post of Secretary of Defense in early January. He was subsequently confirmed by a vote of 58 to 41 on February 26, 2013. I opposed Senator Hagel’s nomination based on doubts about Senator Hagel’s views on America’s relationship with Israel, his position against U.S. sanctions against Iran, and his underestimation of the security threat posed by the dangerous regime in Iran. In addition, Senator Hagel wasn’t transparent and forthcoming, as he said he would be, in that he didn’t allow access to speeches and other records that might have provided a clearer picture of his positions on these major national security issues.Again, thank you for contacting me. I appreciate hearing your views and urge you to keep in touch.Sincerely,Chuck
Sunday, April 7, 2013
And We've Gotta' Get Ourselves Back to the Garden. A Review of The Gardens of Democracy: A New American Story of Citizenship, the Economy, and the Role of Government by Eric Liu and Nick Hanauer
"And we've gotta get ourselves back to the garden . . . "
Joanie Mitchell's "Woodstock Song" most famously performed by Crosby, Stills, Nash & Young
From the book of Genesis to Woodstock, perhaps no metaphor has proven more durable or alluring than that of the garden. The Gardens of Democracy draws upon this venerable heritage to create a manifesto for a contemporary progressive agenda. This book provides readers with a new way of looking at the economy, citizenship, capitalism, and government that breaks some of the old molds. For instance, they draw upon the work of Eric Beinhocker (Origin of Wealth: Evolution, Complexity, and the Radical Remaking of Economics) to show that our old models of the economy are insufficiently dynamic to account for how we really operate. In addition, many economic theories rely on extremely truncated and impoverished notions of human rationality, irrationality, and behavior. Likewise, they appreciate that how we define ourselves politically will define our polity and the quality of political discourse and action that we experience. As for government, they look beyond the usual dichotomy of "big" vs. "small" to consider what proves effective and useful, a much truer and more inventive way to consider issues about government and its responsibilities. Let me give you a sense of the dichotomies and new ways of addressing economic relations that they argue for:
These two guys out of Seattle have published a book that everyone ought to read, at least if you think that there's a better way to think about politics and the economy. Their idea of a "gardenbrain" (organic, evolutionary) far exceeds the usefulness of the reigning "machinebrain". The idea of gardens and how we conduct ourselves, as gardeners fostering what gifts we have received, acting with a spirit of reverence for nature, but not without our active participation in the outcome, provides us with a metaphor that we need.
Read it and pass it on!
P.S. I’m not much of a gardener, but I have watched and helped a master gardener.
Joanie Mitchell's "Woodstock Song" most famously performed by Crosby, Stills, Nash & Young
From the book of Genesis to Woodstock, perhaps no metaphor has proven more durable or alluring than that of the garden. The Gardens of Democracy draws upon this venerable heritage to create a manifesto for a contemporary progressive agenda. This book provides readers with a new way of looking at the economy, citizenship, capitalism, and government that breaks some of the old molds. For instance, they draw upon the work of Eric Beinhocker (Origin of Wealth: Evolution, Complexity, and the Radical Remaking of Economics) to show that our old models of the economy are insufficiently dynamic to account for how we really operate. In addition, many economic theories rely on extremely truncated and impoverished notions of human rationality, irrationality, and behavior. Likewise, they appreciate that how we define ourselves politically will define our polity and the quality of political discourse and action that we experience. As for government, they look beyond the usual dichotomy of "big" vs. "small" to consider what proves effective and useful, a much truer and more inventive way to consider issues about government and its responsibilities. Let me give you a sense of the dichotomies and new ways of addressing economic relations that they argue for:
Simple → Complex
Atomistic → Networked
Equilibrium → Disequilibrium
Linear → Non-linear
Mechanistic → Behavioral
Efficient → Effective
Predictive → Adaptive
Independent → Interdependent
Individual ability → Group diversity
Rational calculator → Irrational approximators
Selfish → Strongly reciprocal
Win-lose → Win-win or lose-lose
Competition → Cooperation
Liu, Eric; Hanauer, Nick (2011-12-06). The Gardens of Democracy: A New American Story of Citizenship, the Economy, and the Role of Government (Kindle Locations 321-329). Sasquatch Books. Kindle Edition.Is this the dawning of the Age of Aquarius? No, but it does make a lot of sense to adjust our perspectives along these lines.
These two guys out of Seattle have published a book that everyone ought to read, at least if you think that there's a better way to think about politics and the economy. Their idea of a "gardenbrain" (organic, evolutionary) far exceeds the usefulness of the reigning "machinebrain". The idea of gardens and how we conduct ourselves, as gardeners fostering what gifts we have received, acting with a spirit of reverence for nature, but not without our active participation in the outcome, provides us with a metaphor that we need.
Read it and pass it on!
P.S. I’m not much of a gardener, but I have watched and helped a master gardener.
Friday, April 5, 2013
Rep. Loebsak on Gun Control & Violence
The following is the reply I received from Rep. Dave Loebsak. Like Senator Harkin's reply, it's much more tepid that I'd like, but Dave has to run again. I'd love one reply to say something like "the gun culture, not normal people who enjoy guns for sporting, but those who have a fixation or idolatry toward firearms, need to be told "no", we don't want that kind of country. We need some rational limits on firearms and access to them. The 2nd Amendment isn't an excuse for society drowning itself in the blood of innocents." Well, my fantasy. Now, here's Dave!
| Rep. Dave Loebsack
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Sat, Apr 6, 2013 at 12:32 AM | |||||||||||||||||
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To:
"Mr. Steve Greenleaf"
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Wednesday, April 3, 2013
Harkin Replies re Gun Control & Mental Health
| Below is a letter that I received from Senator Harkin. Not as bold and forthcoming as I'd like, but not bad. With his announced retirement, I'd hoped that he'd have blown the trumpet more forcefully. Old habits do die hard! | Stephen Greenleaf |
| Reply from Senator Harkin |
| Senator@harkin.senate.gov | Thu, Apr 4, 2013 at 12:48 AM | |
To: greenleaf.stephen@gmail.com
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Saturday, March 30, 2013
Les Miserables: Movie Review
Did they think of the children? Did they consider what this might do to them?
I think not.
We adults can handle this type of disaster, but I'm glad my kids didn't have to see this, at least not for the their first experience. It could have scared and jaded them for life.
What I'm I talking about? The extremely disappointing film production of Les Miserables that C and I viewed last night. We doubted Anne Hathaway and Russell Crowe as vocalists, and so their mediocre performances did not stun us. You can't make up for vocal power with emoting close-ups. And Hugh Jackman, did they put a choke collar on him in the first half of the film? The man must have some pipes, but we only hear them in the second half of the film. Or, perhaps as C suggested, they had the initial characters do a kind of sprechstimme to avoid having to sing. Forget this this is supposed to be a musical! Really, how many tunes did you leave humming in your head in the first half? (It's a good thing that they didn't have an intermission, or I'm afraid the theater would have drained or the computer closed, in our case.) The second half redeemed the process a little, as the young men were allowed full voice, and sang with some gusto that the first half utterly lacked. It still wasn't great, Eponine was alright, and Amanda Seyfried as Cosette had a warbly, almost creepy quality to her voice.
And do we need to cover Hugh Jackman completely in filth, completely? Couldn't we have suggested a storm sewer? (Did Paris have sanitary sewers back then?) And do we need computer generated colossal graphics in every film? Can't we enjoy some human scale. Can does not imply should!
Well, all in all, a great disappointment, like those damned French Revolutions. Lots of show but little result. Hardly worth the effort. This film brings out the Edmund Burke in me for shows--keep in on stage, I guess. Bring me that ol' time Hancher magic!
I think not.
We adults can handle this type of disaster, but I'm glad my kids didn't have to see this, at least not for the their first experience. It could have scared and jaded them for life.
What I'm I talking about? The extremely disappointing film production of Les Miserables that C and I viewed last night. We doubted Anne Hathaway and Russell Crowe as vocalists, and so their mediocre performances did not stun us. You can't make up for vocal power with emoting close-ups. And Hugh Jackman, did they put a choke collar on him in the first half of the film? The man must have some pipes, but we only hear them in the second half of the film. Or, perhaps as C suggested, they had the initial characters do a kind of sprechstimme to avoid having to sing. Forget this this is supposed to be a musical! Really, how many tunes did you leave humming in your head in the first half? (It's a good thing that they didn't have an intermission, or I'm afraid the theater would have drained or the computer closed, in our case.) The second half redeemed the process a little, as the young men were allowed full voice, and sang with some gusto that the first half utterly lacked. It still wasn't great, Eponine was alright, and Amanda Seyfried as Cosette had a warbly, almost creepy quality to her voice.
And do we need to cover Hugh Jackman completely in filth, completely? Couldn't we have suggested a storm sewer? (Did Paris have sanitary sewers back then?) And do we need computer generated colossal graphics in every film? Can't we enjoy some human scale. Can does not imply should!
Well, all in all, a great disappointment, like those damned French Revolutions. Lots of show but little result. Hardly worth the effort. This film brings out the Edmund Burke in me for shows--keep in on stage, I guess. Bring me that ol' time Hancher magic!
Friday, March 29, 2013
This & That for 30 March 2013
- I sent the following to Grassley, Harkin, Loebsak, and Braley:
Dear Senator/Congressman:I invite you to join me. (Does this sound to harsh, too threatening? I think that we have to get serious, even taking away some of the slack that I normally give to liberals who have to placate gun-crazy voters.)
I reviewed this clip by Pres. Obama: http://www.whitehouse.gov/blog/2013/03/28/president-obama-now-time-turn-heartbreak-action-prevent-gun-violence?utm_source=email205&utm_medium=text2&utm_campaign=nowisthetime. I have not forgotten, and I will not forget how gun violence takes too many innocent American lives. I will watch your actions hoping that you will show the leadership and courage that this issue requires.
Thank you for your consideration,
Steve Greenleaf
2. Paul Krugman on how we're really "cheating our children".
3.Courtesy of Abba, a report on Millennium Goals and malaria by Ray Chambers. (Hey, I wonder if this guy could use some help?)
4. Dave Brooks says it's more than about guns--reducing homicides-- and of course he's right, but also wrong. Has Dave never watched any cop shows? You gotta have "means". By all means attack this problem on all fronts, but let's not continue to deceive ourselves about our national gun fetish, our "Moloch" (Garry Wills). We have to have a moment of truth, the NRA & gun nuts notwithstanding.
Wednesday, March 20, 2013
Good Niall, Bad Niall. A Review of The Great Degneration: How Institutions Decay & Economies Die by Niall Ferguson
Both. The Great Degeneration: How Institutions Decay and Economies Die is written on the basis of the Reith Lectures that Ferguson gave on BBC 4, a long running and venerable forum. Ferguson's book based on the lectures is at once topical and historically broad. Ferguson discusses four characteristics that distinguished the rise of the the modern industrial states and made them--especially the U.S. and U.K.--so successful. The list is neither unique nor controversial: democracy, capitalism, the rule of law, and civil society. But as Ferguson's title suggests, he perceives a decline in each attribute. The success or failure (or decline) of any of the institutions and cultures that support and promote the four characteristics will determine the well-being of a nation. Starting with democratic institutions, Ferguson argues, quoting Burke, that the social contract isn't between individuals, but between generations ,and that the current generation (we Baby Boomers) have saddled a burden of debt on posterity. Underlying the capitalism that has fostered our economic growth, we have placed too many restrictions in response to the "Little Depression" , thereby choking our institutions. The rule of law has become, he claims, the "rule of lawyers". And finally, civil society has been largely replaced by the state. Each of these arguments merits serious consideration. When Ferguson takes a long view uses insights from a variety of fields, such as evolution, statistical thinking a la Nicholas Taleb, and the cliodynamics of Peter Turchin to buttress his insights he can prove quite engaging. On the other hand,his arguments about lawyers cites statistics that I suspect come from Chamber of Commerce types, such as the cost of "litigation" on manufacturing. Know this: when it comes to regulation or litigation, no one, but no one, outspends corporate America on whatever it takes to protect their interests.And so it goes, for each insight it seems, we have a pat conservative analysis.
And so it is that Ferguson seems to cite problems and remedies that are all too "conservative", as in pro big business. (Ferguson is not a no-nothing on social issues.) Ferguson can't quite pull back from what seem to be quite pugilistic instincts in politics, a Thatcherite through and through, although Maggie and Ronnie are now long gone. And so Ferguson ends the book by quoting President Obama's "you didn't build that" remarks in the same light as other conservative hacks: Obama is promoting the State (always in caps for this crowd) against "civil society". The great irony here, of course, is that Obama cut his teeth in civil society as a community organizer, and his instincts are amazingly centrist and conciliatory even though the center has moved far right and the Republicans lack anyone with whom he can conciliate. Also, in the context of what Obama said, there is no glorification of the State, only the recognition that the government does provide a crucial avenue for collective action.
In the end, I'd have to say this is more "bad Niall" than "good Niall" but still with flashes of insight that you wish more of. We can only hope that the good Niall comes back.
NB: Niall Ferguson was a #JLF participant.
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